
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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Maurice Ravel's experiences in World War One influenced at least one piece of music he composed — "Le Tombeau de Couperin." The piece serves as a lasting tribute to friends lost in war.
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Following three appearances as a guest conductor, the British conductor, harpsichordist, and cellist will lead H+H beginning in the fall of 2023.
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This time of year — past the "new beginnings" of September, but not quite at the "warm fuzzies" of the Holidays — offers up an abundance of contrast. And, just as warm days sneak in among the cold ones, and bright greens and reds poke out from the ever-increasing piles of leaves turned brown, this month's Instant Replay offers up music both for reflection and tunes meant for more energetic listening.
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Classical music is often inspired by romance, fairy tales, or royalty, but sometimes the inspiration comes from real world causes.
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The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.
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The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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