Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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Castle of Our Skins celebrates 10 years of fostering Black music and cultural exploration in the Boston area with their debut album, "Homage: Chamber Music From Across the African Continent & Diaspora." -
When you hear the word "knight," does your imagination take you to the Middle Ages, a time of chivalry, jousts and quests? Then read on! -
Legend tells of a musician- and composer-turned-spy who might possibly have saved Queen Elizabeth. Or maybe he just wanted to cover his own butt... -
World-class conductors and guest artists bring dynamic performances to the summer home of the Boston Symphony Orchestra, in the green hills of the Berkshires in western Massachusetts.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III. -
The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists. -
On WCRB In Concert with GBH Music, the Norwegian violinist takes listeners on an extraordinary sonic journey to her homeland while exploring themes of environmentalism, climate change, and our connection to nature.
From NPR Music
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A new album from the guitarist for the rock band The National spotlights pieces he’s written for friends like Katia Labèque, Colin Currie and Pekka Kuusisto. -
Three years ago, a group of young musicians from Afghanistan and their teachers fled Kabul to remake their lives as a community in northern Portugal. Now, they are touring the U.S.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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