Martina Simkovicova
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courtesy of the artist
On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
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In the midst of the Oscar awards given by the Academy of Motion Picture Arts and Sciences, classical music has always been a star performer. -
Naya Baaz, led by brilliant Pakistani-American guitarist and composer Rez Abbasi and New England Conservatory alum and sitar player Josh Feinberg, perform on March 7th at the New England Conservatory Intercultural Institute's Symposium on Bimusicality. -
Eighteen years ago, when pianist Hélène Grimaud first heard “Silent Songs” by Valentin Silvestrov, she was transfixed, and now she has recorded them with baritone Konstantin Krimmel. -
On March 8th, International Women's Day, CRB features women conductors, composers, and performers, including these five unique artistic voices.
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Join the GRAMMY-winning Boston Early Music Festival and Idagio for a holiday program showcasing masterworks from the Italian Baroque by Arcangelo Corelli and Alessandro Stradella! -
The Pulitzer Prize-winning composer performs his own music as well as that of Florence Price and Franz Schubert, with violinist Wendy Putnam, in a Concord… -
See and hear a performance of Handel's masterpiece by the Handel and Haydn Society, produced at GBH.Boston's Handel and Haydn Society hasn't missed a…
From NPR Music
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Riley’s pioneering piece, which premiered 60 years ago, leaves many decisions up to the performers. It helped launch the movement known as minimalism, but In C itself has also survived and changed. -
At last, the ambitious composer finds herself in the spotlight, with a Carnegie Hall residency and a sparkling new album featuring Gustavo Dudamel and the Los Angeles Philharmonic.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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