Justin Pumfrey
Tonight at 8:00pm, the Boston Symphony Orchestra welcomes back pianist Mitsuko Uchida for Beethoven’s Piano Concerto No. 4, and Andris Nelsons conducts Shostakovich’s Symphony No. 15 in the second concert of the BSO's "Decoding Shostakovich" series.
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Walt Disney’s spookiest “Silly Symphony” launched a new approach to classical music in cartoons, but its roots go as far back as the medieval Black Plague. -
Japanese composer, columnist and iconoclast Takashi Yoshimatsu evokes babbling brooks, chirping birds, and delicate beauty in this radically pastoral album featuring Sachio Fujioka and the Manchester Camerata. -
20 years after first moving to the United States, violinist Augustin Hadelich's newest recording is a celebration of the kaleidoscopic tapestry of American classical music. -
The '24s have been very good years for classical pieces that became top hits of the day!
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works. -
On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations. -
On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
From NPR Music
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Olivier Latry is Notre Dame Cathedral's longest-serving organist. Just days before the church's gala reopening, after the destructive fire in 2019, he talks about the refurbished instrument — it holds 8,000 pipes — and its role in the church. -
NPR's A Martínez speaks with Dutch brothers Lucas and Arthur Jussen about their new EP, Rêve, featuring piano duets by lesser-known composers influenced by — or rejecting — French Impressionism.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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