Chris Gonz
Tonight at 7:00pm on WCRB In Concert with Boston Baroque, the renowned coloratura soprano performs concert arias by Mozart, bookended by Mozart’s Haffner Symphony and Beethoven’s Symphony No. 2.
Martina Simkovicova
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courtesy of the artist
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As the eclipse approaches, many colleagues from all over the country have been wondering what music might be appropriate for this rare natural occurrence, a time when the sun’s glories are blocked from view. -
The BSO's next season at Symphony Hall is anchored by Composer Chair Carlos Simon, major undertakings in works by Mahler, Beethoven, and Shostakovich with Music Director Andris Nelsons, and much, much more. -
April Fool’s Day comes with merry pranks, jokes, and light-hearted fun, and you can hear that fun in music! -
A couple of classics, some Allston rock, and Saharan tribal rhythms spring forth in this month's Instant Replay.
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works. -
On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations. -
On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
From NPR Music
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Olivier Latry is Notre Dame Cathedral's longest-serving organist. Just days before the church's gala reopening, after the destructive fire in 2019, he talks about the refurbished instrument — it holds 8,000 pipes — and its role in the church. -
NPR's A Martínez speaks with Dutch brothers Lucas and Arthur Jussen about their new EP, Rêve, featuring piano duets by lesser-known composers influenced by — or rejecting — French Impressionism.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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