Pianist Sharon Su fell in love with a Florence Price composition, and then received an error-riddled version of the sheet music.

Our April playlist showers us with jazz, post-punk, glam rock, and K-pop, then some fresh classical favorites and old standbys bring it all home.

The words of evolutionary biologist Richard Dawkins and theoretical physicist Richard Feynman introduce a secular twist to the choral mass format in David Shapiro’s Sumptuous Planet Mass, brought to life by the Philadelphia-based choral ensemble The Crossing.

Later this month, Boston Baroque, led by Martin Pearlman, will present Mozart’s incredible "Don Giovanni" in a fully staged production. In anticipation of the performances, General Manager of GBH Music and author of the novel "Imagining Don Giovanni" Anthony Rudel takes a closer look at the opera’s characters and the men who created them.

The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.

On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.

The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.

Olivier Latry is Notre Dame Cathedral's longest-serving organist. Just days before the church's gala reopening, after the destructive fire in 2019, he talks about the refurbished instrument — it holds 8,000 pipes — and its role in the church.

NPR's A Martínez speaks with Dutch brothers Lucas and Arthur Jussen about their new EP, Rêve, featuring piano duets by lesser-known composers influenced by — or rejecting — French Impressionism.