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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
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The concert series is a response to the uncovering of information connecting Handel to the slave trade. -
In his first season as the BSO's Concertmaster, Nathan Cole talks with CRB's Brian McCreath about his background, the distinctive sound worlds different orchestras produce, and the challenges and rewards of his position. -
Pearlman reflects on his final season leading Boston Baroque. -
The end (of the year) may be nigh, but we've got just the right tunes for dancing, reflection and "scream-singing" 'til the ball drops.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III. -
The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists. -
On WCRB In Concert with the Handel and Haydn Society, mystically beautiful works by Hildegard von Bingen and Raffaela Aleotti are framed by Haydn's Symphony No. 49 and Mozart's "Coronation" Mass.
From NPR Music
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In his album Amours Interdites (Forbidden Love) French pianist David Kadouch explores music by gay composers who concealed their sexuality in societies that wouldn't otherwise accept them. -
Morgiane, perhaps the oldest opera by a Black American, finally receives its full public performance, shedding light on the forgotten heyday of opera in New Orleans.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.
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