On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.
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Edwin Barker, Principal Double Bassist of the Boston Symphony Orchestra, illuminates the connection between Serge Koussevitzky's chosen instrument and its impact on the history of the BSO.
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Wintry mix gives way to buoyant hope. Spring is in the ear, in February's Instant Replay.
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English ensembles Polyphony and Britten Sinfonia, led by Stephen Layton, bring a polished sheen to Latvian composer Ēriks Ešenvalds’s modern masterpiece "Passion and Resurrection" and other works.
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In a rare occurrence, planets will line up in the sky this month. A classical composer lined them up over 100 years ago!
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The Boston Symphony Orchestra premieres a re-framing of John Coltrane’s legendary jazz compositions, curated by Composer Chair Carlos Simon.
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On WCRB In Concert with GBH Music, the Norwegian violinist takes listeners on an extraordinary sonic journey to her homeland while exploring themes of environmentalism, climate change, and our connection to nature.
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works.
From NPR Music
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In his album Amours Interdites (Forbidden Love) French pianist David Kadouch explores music by gay composers who concealed their sexuality in societies that wouldn't otherwise accept them.
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Morgiane, perhaps the oldest opera by a Black American, finally receives its full public performance, shedding light on the forgotten heyday of opera in New Orleans.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.
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