On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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Matthew Guard, Artistic Director of the Boston-based vocal ensemble, talks about their new album, "Clear Voices in the Dark," the monumental challenge of recording Poulenc's "Figure Humaine," and music as a human reaction to violence.
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One of the great things about the Bard is how adaptable his plays are. There are endless ways to interpret them — on stage and on screen, sure, but also in music!
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The Boston Symphony's new composer chair talks about his roots in the churches of his family, his hopes and plans with the BSO, and the deep meanings of his music on a new recording called "Four Symphonic Works."
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The "Fab Four" via South Korea, the North Seas meet the Vineyard, and a Pterodactyl scream . . . yes, we're ready for what fall may bring.
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On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.
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On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
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The Miami-based orchestra celebrates the artistic explosion emanating from 1920s New York, with music and poetry inspired by the Harlem Renaissance, on demand.
From NPR Music
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An opera about civil rights leader Malcolm X opens Friday — nearly 40 years after X: The Life and Times of Malcolm X premiered. The creative team says its message feels more relevant than ever.
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On Philanthropy, the artist's 14th studio album, Volker Bertelmann, also known as Hauschka, returns to his signature prepared piano sound in music he hopes will strengthen connections between people.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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