
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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Jazz scatting, cows munching, and the perfect music for dancing through the long winter nights. All in this month's Instant Replay.
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Composers have offered many notes of thanks to veterans through the years.
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The sounds of a genius, a pinch of kitsch, and a nightmare reimagined — all mixed together in this month's Instant Replay witches' brew.
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Airing on GBH 2 on October 27, "Beyond the Baton: A Conductor's Journey" is an hour-long film that documents Wilkins’s experience as a Black conductor and his larger impact on the musical world.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.
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The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.
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On WCRB In Concert with GBH Music, the Norwegian violinist takes listeners on an extraordinary sonic journey to her homeland while exploring themes of environmentalism, climate change, and our connection to nature.
From NPR Music
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NPR Tiny Desk contest winner Quinn Christopherson, drag queen Pattie Gonia and world-renowned cellist Yo-Yo Ma would like "Won't Give Up" to be sung at climate change rallies and in concert halls.
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A new album of music by the 88-year-old Estonian mystic seems to put an arm around you and whisper, "In troubled times, music can help."
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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