The "Fab Four" via South Korea, the North Seas meet the Vineyard, and a Pterodactyl scream . . . yes, we're ready for what fall may bring.

Composer, pianist, singer-songwriter, and creative chair of the Oregon Symphony Gabriel Kahane confronts uncomfortable truths about the housing crisis in America with his witty, eclectic, dynamic, and genre-defying oratorio “emergency shelter intake form,” performed by the Oregon Symphony.

Whether it's been a "wistful" summer, or a "high-energy" one, or even a "big ideas" kind of summer, we've got just the right soundtrack for you.

What would the Olympics be without the best of the best athletes... and classical composers?

On The Bach Hour, the Los Angeles-based violinist performs both parts - each on a different Stradivarius instrument - of one of the composer’s most dramatic concertos.

The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.

On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.

British composer Martin Phipps discusses how he used an 1808 French piano that once belonged to Napoleon in the score for Ridley Scott's biopic of the one-time emperor.

One hundred years after her birth, Maria Callas still commands attention in the world of opera, which she forever altered with her singular, searing performances.