
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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One of Leonard Bernstein’s most deeply personal works continues to be as relevant today as it ever was, even being quoted in a recent speech by the US Secretary of State.
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As a special guest on the GBH Kids-produced PBS KIDS series "Pinkalicious & Peterrific," cellist Yo-Yo Ma shares the power of music with a new generation of children.
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Not all heroes wear capes and fly through the air. Some swoop into our lives on classical music! Hear some of them for National Heroes Day on Oct. 8.
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Meet Founding Father Francis Hopkinson, America's First Composer! (Maybe!)
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works.
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On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.
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On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
From NPR Music
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British composer Martin Phipps discusses how he used an 1808 French piano that once belonged to Napoleon in the score for Ridley Scott's biopic of the one-time emperor.
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One hundred years after her birth, Maria Callas still commands attention in the world of opera, which she forever altered with her singular, searing performances.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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