On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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As the Year of the Dragon begins, we've discovered there are dragons in music, too!
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From Shakespeare to an apocalyptic musical fever dream and everything in between, eclectic choral ensemble Roomful of Teeth’s Grammy-winning "Rough Magic" is an album worth hearing.
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The Boston Symphony Orchestra has announced its next summer season, anchored by Koussevitzky 150, a multi-dimensional celebration of the visionary BSO conductor behind the creation of the orchestra's iconic festival in the Berkshires.
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On The Bach Hour, the Los Angeles-based violinist performs both parts - each on a different Stradivarius instrument - of one of the composer’s most dramatic concertos.
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The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.
From NPR Music
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British composer Martin Phipps discusses how he used an 1808 French piano that once belonged to Napoleon in the score for Ridley Scott's biopic of the one-time emperor.
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One hundred years after her birth, Maria Callas still commands attention in the world of opera, which she forever altered with her singular, searing performances.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
LIsten to WCRB on the go!