On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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The BSO's next season at Symphony Hall is anchored by Composer Chair Carlos Simon, major undertakings in works by Mahler, Beethoven, and Shostakovich with Music Director Andris Nelsons, and much, much more.
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April Fool’s Day comes with merry pranks, jokes, and light-hearted fun, and you can hear that fun in music!
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A couple of classics, some Allston rock, and Saharan tribal rhythms spring forth in this month's Instant Replay.
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We’re so happy to see the longer, warmer days of spring, but the insects and bugs? Not so much, unless they’re in music!
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The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.
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On WCRB In Concert with GBH Music, the Norwegian violinist takes listeners on an extraordinary sonic journey to her homeland while exploring themes of environmentalism, climate change, and our connection to nature.
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works.
From NPR Music
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British composer Martin Phipps discusses how he used an 1808 French piano that once belonged to Napoleon in the score for Ridley Scott's biopic of the one-time emperor.
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One hundred years after her birth, Maria Callas still commands attention in the world of opera, which she forever altered with her singular, searing performances.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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