On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.
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Edwin Barker, Principal Double Bassist of the Boston Symphony Orchestra, illuminates the connection between Serge Koussevitzky's chosen instrument and its impact on the history of the BSO.
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Wintry mix gives way to buoyant hope. Spring is in the ear, in February's Instant Replay.
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English ensembles Polyphony and Britten Sinfonia, led by Stephen Layton, bring a polished sheen to Latvian composer Ēriks Ešenvalds’s modern masterpiece "Passion and Resurrection" and other works.
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In a rare occurrence, planets will line up in the sky this month. A classical composer lined them up over 100 years ago!
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On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.
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On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
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In a special Friday night broadcast of the Boston Symphony Orchestra, Andris Nelsons conducts Beethoven’s lyric and joyful Symphony No. 4 and the mighty Symphony No. 5.
From NPR Music
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South African cellist and composer Abel Selaocoe talks about his new album "Hymns of Bantu," which highlights the healing power of song across cultures.
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Stradivarius violins often sell for millions. There's a long history behind them, and violinists who swear they sound better than modern ones.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.
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