Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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The Moon helps us keep track of time, of tides, of the ebb and flow of life. And inspires music. -
The violinist describes the experience of recording a landmark Chinese work with the Singapore Chinese Orchestra. -
Summer vacation season is here. How are you planning to travel? -
Hollywood’s biopic treatment is usually given to historical figures that pop culture remembers well. For Joseph Bologne, it’s an entrée to remembering him, period.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III. -
The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists. -
On WCRB In Concert with GBH Music, the Norwegian violinist takes listeners on an extraordinary sonic journey to her homeland while exploring themes of environmentalism, climate change, and our connection to nature.
From NPR Music
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The late American composer John Cage left it up to the performer to decide how long his work, Organ2/ASLSP, should take. A group in Germany is testing the limits. -
The pioneering Japanese-American conductor who led the Boston Symphony Orchestra for nearly decades died Tuesday.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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