Tonight at 8:00pm in an encore broadcast, cellist Yo-Yo Ma returns to Symphony Hall for an all Shostakovich program, kicking off the Boston Symphony Orchestra's "Decoding Shostakovich" series.
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A musical melange as varied as the leaves I still need to rake off the lawn, just for you in this month's Instant Replay.
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Matthew Guard, Artistic Director of the Boston-based vocal ensemble, talks about their new album, "Clear Voices in the Dark," the monumental challenge of recording Poulenc's "Figure Humaine," and music as a human reaction to violence.
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One of the great things about the Bard is how adaptable his plays are. There are endless ways to interpret them — on stage and on screen, sure, but also in music!
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The Boston Symphony's new composer chair talks about his roots in the churches of his family, his hopes and plans with the BSO, and the deep meanings of his music on a new recording called "Four Symphonic Works."
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The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.
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The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.
From NPR Music
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Poet Amanda Gorman and German cellist Jan Vogler combine poetry and Bach's cello suites at New York's Carnegie Hall to share the "lows and highs" of human experience.
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On Feb. 12, 1924, a sassy fusion of jazz and classical music debuted in New York, sparking a mutual exchange of ideas still debated today.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
LIsten to WCRB on the go!