Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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A member of the BSO since 1981, Sebring talks about his early years in the orchestra, how Symphony Hall shapes the ensemble's sound, and much more. -
Esteemed Black arts institution Castle of Our Skins discusses their debut album, "Homage: Chamber Music From Across the African Continent & Diaspora," with Paris Alston on GBH's Basic Black in celebration of their 10th anniversary. -
The coronation of King Charles III brings to mind music written for royal rulers through the ages. -
In her first season as Artistic Director, Nicole Taney announces a spectacular and diverse mix of performances for 2023-2024.
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The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky. -
On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III. -
The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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