Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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The Moon helps us keep track of time, of tides, of the ebb and flow of life. And inspires music. -
The violinist describes the experience of recording a landmark Chinese work with the Singapore Chinese Orchestra. -
Summer vacation season is here. How are you planning to travel? -
Hollywood’s biopic treatment is usually given to historical figures that pop culture remembers well. For Joseph Bologne, it’s an entrée to remembering him, period.
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On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73. -
The Miami-based orchestra celebrates the artistic explosion emanating from 1920s New York, with music and poetry inspired by the Harlem Renaissance, on demand. -
Join the GRAMMY-winning Boston Early Music Festival and Idagio for a holiday program showcasing masterworks from the Italian Baroque by Arcangelo Corelli and Alessandro Stradella!
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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