Our April playlist showers us with jazz, post-punk, glam rock, and K-pop, then some fresh classical favorites and old standbys bring it all home.

The words of evolutionary biologist Richard Dawkins and theoretical physicist Richard Feynman introduce a secular twist to the choral mass format in David Shapiro’s Sumptuous Planet Mass, brought to life by the Philadelphia-based choral ensemble The Crossing.

Later this month, Boston Baroque, led by Martin Pearlman, will present Mozart’s incredible "Don Giovanni" in a fully staged production. In anticipation of the performances, General Manager of GBH Music and author of the novel "Imagining Don Giovanni" Anthony Rudel takes a closer look at the opera’s characters and the men who created them.

As the eclipse approaches, many colleagues from all over the country have been wondering what music might be appropriate for this rare natural occurrence, a time when the sun’s glories are blocked from view.

On The Bach Hour, the Los Angeles-based violinist performs both parts - each on a different Stradivarius instrument - of one of the composer’s most dramatic concertos.

The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.

On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.

Poet Amanda Gorman and German cellist Jan Vogler combine poetry and Bach's cello suites at New York's Carnegie Hall to share the "lows and highs" of human experience.

On Feb. 12, 1924, a sassy fusion of jazz and classical music debuted in New York, sparking a mutual exchange of ideas still debated today.