Tonight at 8:00pm in an encore broadcast, cellist Yo-Yo Ma returns to Symphony Hall for an all Shostakovich program, kicking off the Boston Symphony Orchestra's "Decoding Shostakovich" series.
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Walt Disney’s spookiest “Silly Symphony” launched a new approach to classical music in cartoons, but its roots go as far back as the medieval Black Plague.
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Japanese composer, columnist and iconoclast Takashi Yoshimatsu evokes babbling brooks, chirping birds, and delicate beauty in this radically pastoral album featuring Sachio Fujioka and the Manchester Camerata.
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20 years after first moving to the United States, violinist Augustin Hadelich's newest recording is a celebration of the kaleidoscopic tapestry of American classical music.
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The '24s have been very good years for classical pieces that became top hits of the day!
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On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.
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On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
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The Miami-based orchestra celebrates the artistic explosion emanating from 1920s New York, with music and poetry inspired by the Harlem Renaissance, on demand.
From NPR Music
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A new album, American Counterpoints, reasserts the importance of two 20th century Black composers whose work has been neglected.
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A fictional tale of the real-life Jewish community in Shanghai during World War II — with a cross-cultural love story at its heart — is premiering at the New York Philharmonic on Thursday.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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