
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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Eldbjørg Hemsing plays selections from "Arctic," as well as Grieg, Tchaikovsky, and more, with pianist Llewellyn Sanchez-Werner, November 13 at 7:30pm at GBH's Fraser Performance Studio.
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Mind-blowing Bach. Pure, heartfelt crooning. Even air conditioning. The July Instant Replay is all you need to beat the heat.
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Before I had ever heard of Tchaikovsky, Dvořák, or Mendelssohn, their music was the soundtrack to my childhood thanks to a doll called Barbie.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.
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The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.
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On WCRB In Concert with GBH Music, the Norwegian violinist takes listeners on an extraordinary sonic journey to her homeland while exploring themes of environmentalism, climate change, and our connection to nature.
From NPR Music
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A new album, American Counterpoints, reasserts the importance of two 20th century Black composers whose work has been neglected.
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A fictional tale of the real-life Jewish community in Shanghai during World War II — with a cross-cultural love story at its heart — is premiering at the New York Philharmonic on Thursday.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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