
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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It's officially a month to celebrate the music you love!
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Just like the rest of us, composers have always tried to find moments of peace, and they even wrote it into some of their music.
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If summer is the season of happy-go-lucky "meet-cutes," pop-anthem "bangers," and toe-tapping "go-to jams," then IR 52, play on!
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The song got it right: “The hills ARE alive with the sound of music!”
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works.
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On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.
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On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
From NPR Music
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A new album, American Counterpoints, reasserts the importance of two 20th century Black composers whose work has been neglected.
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A fictional tale of the real-life Jewish community in Shanghai during World War II — with a cross-cultural love story at its heart — is premiering at the New York Philharmonic on Thursday.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
LIsten to WCRB on the go!