Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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A member of the BSO since 1981, Sebring talks about his early years in the orchestra, how Symphony Hall shapes the ensemble's sound, and much more. -
Esteemed Black arts institution Castle of Our Skins discusses their debut album, "Homage: Chamber Music From Across the African Continent & Diaspora," with Paris Alston on GBH's Basic Black in celebration of their 10th anniversary. -
The coronation of King Charles III brings to mind music written for royal rulers through the ages. -
In her first season as Artistic Director, Nicole Taney announces a spectacular and diverse mix of performances for 2023-2024.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III. -
The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists. -
On WCRB In Concert with GBH Music, the Norwegian violinist takes listeners on an extraordinary sonic journey to her homeland while exploring themes of environmentalism, climate change, and our connection to nature.
From NPR Music
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One of the most performed living composers unpacks the power of melody in her music, her unconventional path to success and how visual art guides her process. -
The Apollo Chamber Players in Houston, Texas, create concerts in response to book banning, the refugee crisis, the war in Gaza and other world events. Thousands of people attend their performances.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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