Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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The beloved childhood friend Mother Goose is honored each year with a national day celebrating her literary achievements. -
Light, bright, and breezy is the name of the game for April's Instant Replay — edition 48! Celebrate four years of our favorite music with tunes that put a spring in our steps. -
Composer Eric Whitacre has been a self-proclaimed “super fan” of Voces8 for years and on their new album, “Home,” his music, channeled through the group’s voices, is nothing short of pure magic. -
The culmination of an era-defining project, two mini-festivals, and two major anniversaries only begin to describe a BSO season of illuminating artistic depth, rich musical color, and historic significance.
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works. -
On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations. -
On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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