
Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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In the midst of the Oscar awards given by the Academy of Motion Picture Arts and Sciences, classical music has always been a star performer.
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Naya Baaz, led by brilliant Pakistani-American guitarist and composer Rez Abbasi and New England Conservatory alum and sitar player Josh Feinberg, perform on March 7th at the New England Conservatory Intercultural Institute's Symposium on Bimusicality.
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Eighteen years ago, when pianist Hélène Grimaud first heard “Silent Songs” by Valentin Silvestrov, she was transfixed, and now she has recorded them with baritone Konstantin Krimmel.
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On March 8th, International Women's Day, CRB features women conductors, composers, and performers, including these five unique artistic voices.
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The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.
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The Boston Symphony Orchestra performs Mozart’s stunning final work with the Tanglewood Festival Chorus and a collection of sensational soloists.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
LIsten to WCRB on the go!