Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: Hadelich
Broad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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A member of the BSO since 1981, Sebring talks about his early years in the orchestra, how Symphony Hall shapes the ensemble's sound, and much more. -
Esteemed Black arts institution Castle of Our Skins discusses their debut album, "Homage: Chamber Music From Across the African Continent & Diaspora," with Paris Alston on GBH's Basic Black in celebration of their 10th anniversary. -
The coronation of King Charles III brings to mind music written for royal rulers through the ages. -
In her first season as Artistic Director, Nicole Taney announces a spectacular and diverse mix of performances for 2023-2024.
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works. -
On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations. -
On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
From NPR Music
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Professors and students at the University of South Florida mapped pitch, rhythm and duration to data about algae blooms and depletion of coral reefs to create an original composition. -
Armed with just her cello, a looping machine and a pair of percussionists, Beiser crafts a rendition of Terry Riley's pioneering In C that is equally mesmerizing and graceful.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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