Pianist Sharon Su fell in love with a Florence Price composition, and then received an error-riddled version of the sheet music.

Our April playlist showers us with jazz, post-punk, glam rock, and K-pop, then some fresh classical favorites and old standbys bring it all home.

The words of evolutionary biologist Richard Dawkins and theoretical physicist Richard Feynman introduce a secular twist to the choral mass format in David Shapiro’s Sumptuous Planet Mass, brought to life by the Philadelphia-based choral ensemble The Crossing.

Later this month, Boston Baroque, led by Martin Pearlman, will present Mozart’s incredible "Don Giovanni" in a fully staged production. In anticipation of the performances, General Manager of GBH Music and author of the novel "Imagining Don Giovanni" Anthony Rudel takes a closer look at the opera’s characters and the men who created them.

On The Bach Hour, the Los Angeles-based violinist performs both parts - each on a different Stradivarius instrument - of one of the composer’s most dramatic concertos.

The Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.

On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.

Professors and students at the University of South Florida mapped pitch, rhythm and duration to data about algae blooms and depletion of coral reefs to create an original composition.

Armed with just her cello, a looping machine and a pair of percussionists, Beiser crafts a rendition of Terry Riley's pioneering In C that is equally mesmerizing and graceful.