Tonight at 7:00pm on WCRB In Concert with Boston Baroque, the renowned coloratura soprano performs concert arias by Mozart, bookended by Mozart’s Haffner Symphony and Beethoven’s Symphony No. 2.
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A musical melange as varied as the leaves I still need to rake off the lawn, just for you in this month's Instant Replay.
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Matthew Guard, Artistic Director of the Boston-based vocal ensemble, talks about their new album, "Clear Voices in the Dark," the monumental challenge of recording Poulenc's "Figure Humaine," and music as a human reaction to violence.
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One of the great things about the Bard is how adaptable his plays are. There are endless ways to interpret them — on stage and on screen, sure, but also in music!
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The Boston Symphony's new composer chair talks about his roots in the churches of his family, his hopes and plans with the BSO, and the deep meanings of his music on a new recording called "Four Symphonic Works."
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On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works.
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On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.
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On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.
From NPR Music
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The revered interdisciplinary artist, now in her 80s, remains vigorous and regards the joy of curiosity as the key to staying young.
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Virtuosic pianist and composer Beethoven suffered from several debilitating ailments. A new study suggests lead poisoning may be at least partly to blame.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.
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