The Boston Symphony Orchestra has announced details of its 2026-2027 season, marked by programs focused on singular composers and themes, a dynamic Artist in Residence, and significant world and U.S. premieres.

Mezzo-soprano Joyce DiDonato and the genre-defying string trio Time for Three talk about their new album "Emily — No Prisoner Be," the joys of working with composer Kevin Puts, and the responsibility of bringing Emily Dickinson to a new generation.

Music for movies, for poetry, and even for puppets. Enjoy the spring blooms in this month's Instant Replay.

On March 15th, a guy woke up, got dressed, and walked into the worst day of his life. In the 2,000 years since, composers have made Julius Caesar a figure of legend.

On WCRB In Concert with the Isabella Stewart Gardner Museum, Rachel Barton Pine presents a recital on violin and viola d’amore, including the Gardner Museum's extraordinary 1770s viola d'amore.

On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a work that's at once contemplative and exuberant, and Angela Hewitt plays selections from Book II of the Well-Tempered Clavier.

Andris Nelsons and the Boston Symphony Orchestra welcome rising star Mao Fujita as the soloist in Mozart’s Piano Concerto No. 21, part of a program that also includes the U.S. premiere of Outi Tarkiainen’s “Day Night Day” and Sibelius’s rarely heard Symphony No. 1.

In a new album, the Ukranian-born, New York-based pianist and composer Vadim Neselovskyi channels the horror and hope he's felt since Russia's incursion.

On his new album, the violinist completely rethinks The Lark Ascending by Ralph Vaughan Williams, and leans into old folk songs with the help of Sam Amidon.